The love story of Pascal and Hélène who meet at Françoise's birthday party and the love story of Gérard, Pascal's confidant, and Françoise who invited Pascal and Hélène to her birthday party.

In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

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In a brand-new documentary, the actress who portrayed the unforgettable Émilie Bordeleau revisits her memories of filming and analyzes the cultural legacy of this cult saga. By exploring the timeless power of its characters, she testifies to the major impact this work has had on the collective imagination and on the history of Québec television.

战争会带来集体伤痛，“性暴力”常被用作对付敌方的武器。那些女性受害者虽不像男性在战争中死亡，但承受的痛苦却会慢性折磨她们一辈子，甚至摧毁自尊。直到1990年代南斯拉夫内战之后，联合国才认可战时性侵害及性骚扰是违反人权的罪行。 这部影片由多起战争时期的性侵害事件组合而成，从二战时期说起。比如1944年，法国远征军抵达意大利莱诺拉，挨家挨户搜刮财物、强奸妇女，还对小男孩和青少年下手。有个11岁小女孩在麦田被轮奸，送到医院时，医生都惊叹她竟能活下来。然而这类官方档案被删除，只记录了战胜者的荣耀。 差不多同一时期，在德苏战争中战败的德国，约有90万名妇女被苏联、美国、法国等同盟国军队强奸，其中三分之二是苏联士兵所为。此外，1945年4月和5月，法军来到德国西南部，美军进入上巴伐利亚……

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A French adaptation of Henrik Ibsen's play "A Doll's House", staged by Stéphane Braunschweig.